Nawshin Ahmed

Bangladesh University of Engineering and Technology

Bangladesh

Md. Emam Meraj Hossain

Bangladesh University of Engineering and Technology

Bangladesh

Shohini Talukder

Bangladesh University of Engineering and Technology

Bangladesh

Project Description

Tea has always been more than a drink in Bengali life—it’s a ritual, a moment of pause that brings people together. It is a celebration of Bengali culture, another example of which is our everyday vehicle Rickshaw. The stall is designed to merge these two everyday symbols—tea (cha) and the rickshaw—into a dynamic, mobile community space. It is about fostering human connection and making cultural heritage an active, living experience.

This stall will travel to where the people are, allowing it to serve different community segments throughout the day—office workers during the morning rush, park-goers in the evenings, and festival attendees on weekends. Its flexibility ensures accessibility for all, from office-goers to rickshaw pullers, from elders enjoying an afternoon chat to young minds sharing ideas.

The design integrates local craftsmanship, with bamboo shading, and vibrant rickshaw art, reinforcing local identity. The stall isn’t just functional—it’s an art piece on wheels, decorated with the vivid hand-painted artistry that makes rickshaws so iconic. A fold-out canopy offers shade for the maker, transforming the stall into an inviting space. The tea stall is a living, moving celebration of culture, echoing the rhythmic sound of the city itself. It is designed for efficiency and adaptability. A modular system allows easy construction with folding seats, concealed storage for utensils, and a compact tea-making station with a built-in minimal waste setup.

This stall isn’t just about selling tea—it’s about creating spaces for interaction, nostalgia, and warmth. It is a symbol of movement, adapting to the rhythm of the city while keeping its roots deep in tradition.