A Place of Stories
Designing The Stall
Design Competition
Tea, one of the world's most beloved drinks, boasts a rich and complex history spanning thousands of years and various cultures. Its influence extends beyond the beverage itself, deeply embedding into the social and cultural fabrics of communities globally. According to legend, tea originated in China in 2737 BCE when Emperor Shen Nong, an herbalist, discovered its refreshing taste after leaves accidentally fell into boiling water.
Tea stalls, prevalent worldwide, act as local social hubs, promoting a sense of community and belonging. These stalls draw people from all walks of life, breaking socio-economic barriers and providing a relaxing escape from daily life. The soothing and therapeutic consumption of tea and snacks adds to their appeal.
In South Asia, tea stalls play a significant role in political discussions and public opinion formation. They serve as informal forums for free exchange of ideas, ranging from local gossip to serious political debates, reflecting societal tensions. More than just commercial spaces, these stalls are integral to the social and cultural fabric of the region, acting as lifelines for neighborhoods. They enrich community life through connections and conversations, weaving a rich tapestry of social interaction that goes beyond the simple act of drinking tea.
In the dynamic urban landscape of South Asia, designing a tea stall is a commitment among so many critical choices, significantly shaping the functionality and social impact of the stall. The designer can focus on economic efficiency through a stall design with low cost and that occupies the least space. Making it modular, easily assembled, or dismantled could be suitable for the density of a chaotic urban environment, putting the emphasis on functionality. The other could look into an ergonomic product design, maybe to streamline the operations of the seller at its maximum efficiency using innovative and user-friendly tools.
Artistically, local culture could be drawn on to dress the stall with aesthetics of the traditional and thereby make it a vibrant point of cultural expression. The design process will be guided by community health and environmental sustainability; for instance, in the design of a re-usable cup system that greatly assists in reduction of wastage, and effective solutions for smoke management and hence improved air quality.
Besides, the designer is at liberty to consider an imaginary site or plan the design based on the real site at the surrounding context, hence the approach would be tailor-made, and it respects all the local nuances that maximize the relevance and impact of the tea stall in the chosen location. This means that the designer has total empowerment to really optimize the design of the tea stall for that specific setting within an urban or rural setting.
illustration: Madhabi
Design Criteria
Community Impact
Designs should consider how the tea stall will serve and integrate with the local community. This includes accessibility for all individuals, fostering a welcoming atmosphere, supporting local crafts, waste reduction technique and potential to become a community gathering point.
Artistic and Visionary Approach
Submissions should demonstrate unique artistic expression and aesthetic value that enhances the local environment. This might include innovative design, thematic decoration, and visually appealing structures. The overall concept should be original and visionary, presenting new ideas or interpretations reflecting elements of local culture, history, or art.
Functionality and Innovation
Proposals should introduce at least one innovative product or feature that enhances the tea drinking experience, outlining how the stall will operate efficiently, focusing on workflow, customer service, and overall management.
Registration
Early Bird Registration (Jan 20 to Feb 03)
Standard Registration Period (Feb 04 to Feb 21)
Last Minute Registration (Feb 22 to Feb 28)
Can be registered as individual member or a group of maximum 3.
Please Fillup the google form with Required info.
Schedule
Brief Launch Jan 19
Early Bird Registration Ends Feb 03
Standard Registration Ends Feb 21
Last Minute Registration Ends Feb 28
Submission Deadline Mar 03
Announcement of Winners Mar 21
Awards
Winning participants will receive prizes totaling BDT 70,000 with the distribution as follows:
-Best Award for Community Impact- BDT 20,000/-
-Best Award for Visionary Artist/Creative Excellence- BDT 20,000/-
-Best Award for Functional Design/Product Usability- BDT 20,000/-
-1 Special Award- BDT 10,000/-
-6 Honorable mentions
Winners and honorable mentions will be published on CLAYMIRE’s Facebook and Instagram page
Submission
A2 Sheet:
Format: Landscape-oriented A2 sheet.
Team Code: Clearly mention your TEAM CODE on the top right-hand corner in Arial 14 PT.
Presentation Techniques: Use any technique of your choice for the design, Sketches / Diagrams / Visualizations/Texts
Language: All text must be in English.
Project Explanation Document:
Description: Provide a document explaining your idea (maximum 250 words).
Format: PDF or DOC. Name the file as TeamCode.pdf.
Submission Details:
Email Address: Send your submission to claymire.art@gmail.com.
Subject Line: Use your TEAM CODE as the subject.
File Size: Ensure each file is no larger than 20 MB.
File Naming: Save both files as TeamCode_A2.pdf (A2 sheet) and TeamCode_Description.pdf (description document).
**Important: Do not include your name or institution in any submission materials, or your entry may be canceled.
Our Jurors
Tasadduk Hossain Dulu was born in Noakhali, Bangladesh, in 1971. He identifies with new voices from Chittagong who have been searching a fresh artistic vision. Cats, clay toys and curtains have frequently found a place in Dulu’s paintings. According to the artist, the curtain represents relationships.
Dulu received a master’s degree in painting from the University of Chittagong in 1993. Notable among his awards are Young Artist Award (Best in all media), 14th Young Artists Art Exhibition, Bangladesh Shilpakala Academy, Dhaka, 2002; Best Award in Painting, 13th Young Artists Art Exhibition, Dhaka, 2000; Artist Rashid Chowdhury Award (Best in all media), Annual Art Exhibition, Department of Fine Arts, University of Chittagong, 1994 & 1995; 2nd Prize, 5th Berger Young Painters, Dhaka; Honourable Award, 14th Asian Art Bienaale Bangladesh, Dhaka, 2010. The artist lives and works in Chittagong.
Shuvra Das is an educator, architect, and co-founder of his practice, Chorcha Sthapatijog. He completed his Bachelor of Architecture at BUET in 2016, after which he started his academic career in the Department of Architecture at the University of Asia Pacific in 2017. In 2017, he attended the Summer School at the Laurie Baker Center in Trivandrum, Kerala, India, where he participated in a hands-on workshop on building with local materials.
He joined Chittagong University of Engineering and Technology in 2018, and till now, he has been working as an Assistant Professor in the Department of Architecture. In his early career, he worked in several projects in remote areas in Chittagong Hill Tracts and developed a keen interest in indigenous culture, local materials and landscape practices. His project “Hydro-pod Playscape” received a Commendation in Berger Award for Excellence in Architecture 2022. Currently, he is pursuing his study in “Master of Landscape Architecture” at RMIT in Melbourne, Australia with the prestigious “Australia Awards” scholarship.
Khwaja Fatmi is an Architect and Humanitarian worker. After her graduation in 2017, she has been working in various rural places in Bangladesh. As an architect and design professional, Human connection and other non-visual experiences have been the key element in her design practice.
Currently she has been working with Oxfam, in the Water and Sanitation Hygiene team.
She previously worked with ActionAid, BRAC and other organizations. She has recently been recognized by Aga Khan Trust for Culture for her contribution in Rohingya Response. Social Architecture workshop In Teknaf by OXFAM, Healthy Neighborhood with Noapara Community, Display Center for Rohingya Women etc. are few of her notable projects.
FAQ
1. Who can participate in the ‘Designing the Stall’ Competition?
-The competition is open to students from all fields of study, professionals in design-related disciplines, and anyone with a passion for creativity and design.
2. What is the deadline for submissions?
-All entries must be submitted by March 03 no later than 11:59pm BST (Bangladesh) UTC+06:00.
3. Can teams participate, or is this an individual competition?
-Both individual and team entries up to 3 members are accepted. Team compositions can be disclosed in the registration process.
4. What criteria will be used to judge the designs?
-Designs will be evaluated based on originality, sustainability, aesthetic value, and the ability to cater to the needs of a diverse clientele.
5. How will intellectual property rights be handled?
-Participants retain the rights to their designs, but by entering the competition, they grant CLAYMIRE Team the right to use submitted materials for promotional purposes.
6. How can I get updates about the competition?
-Keep an eye on our social media channels for updates.
7. Can I use AI-generated images in my competition entry?
-No, AI-generated images are not permitted in this competition. We encourage original work that is manually created by the participant.
8. Who can I contact if I have more questions?
-For further inquiries, please contact our support team at claymire.art@gmail.com. We are available to assist you with any additional questions you may have.
** Claymire reserves the right to change, modify, or update any policies, terms, conditions, or services at any time without prior notice. Any changes will be effective immediately upon posting or notification.